I learned a great deal of patience—that was important in stop-motion.
PES may not be Ray Harryhausen, but he still does damn fine work. So, before you check out the films, here's a very brief bio:
PES studied printmaking and literature at the University of Virginia and film at New York University. His work has been featured internationally in film festivals and on TV and has amassed a cult following through the Internet.Square Footage Films (NYC Independent Animation)
Informative, wasn't it? Anyway, here are a few of the animations I liked. There are plenty more on PES's Website.
What can I say about "Roof Sex", other than that I fully support it as long as all the participants are attractive and stay fully visible to me while they are doing it. Oh, wait a minute. Sorry about that. Wrong question. Let's just say that you'll like "Roof Sex", too. Unless you're a cat. (Watch it and see why.)
"Roof Sex" required 20 shooting days over the course of 2 1/2 months to complete principal animation. Absolute blue skies were necessary to ensure consistent exposure. The Gold Chair immortalized in the film was the hiding place for PES's family's money throughout his entire childhood. "Roof Sex" is PES's first film and first animation.Square Footage Films (NYC Independent Animation)
PES created an ad for Coinstar, the company that has machines in supermarkets converting change dumped into them into cash, while taking a cut. (Hey, the mob always gets the vig, and the bookie always gets his cut, right?) The PES ad is entertaining and clever; AdWeek called it "TiVo-Proof". It was shot on 35mm — very expensive! — and took multiple animators four days to shoot:
The battle scene with 1,000 coins racing toward the table took four hours, and we used every frame of it. I don't shoot much fat. In animation it is too costly to shoot film you won't use. This is one of the reasons I stay involved through the editing. I have to put the jigsaw puzzle together."If you can't find him, check the lost and found", 6th Annual Firstboards Awards
The "Missing" piece asks us "Are We Missing Anything?". This was one of the brilliant ads created for MoveOn's campaign to educate people about why it was time to vote out the republicans. (Except they hadn't been voted in the first time, except by one vote of the Supreme Court. Too bad Rhenquist didn't have throat cancer then; maybe it would have been 4-4 and we would have learned what really happened in Florida...)
As far as "Beasty Boy" goes, well, all I can do is quote the piece's tagline: "What are your kids learning?". What indeed? (This piece isn't stop motion, by the way.)
The "Wild Horses Redux" piece was done, on spec — on spec! — for Nike.
Miniature football figurines motor along mink coat landscapes and through T-bone mountain passes all to the soundtrack of Nike's aural pleasure-ride "Wild Horses Redux".
Director PES says the spot began as an "electric footbal epic short film" which is still in production. Remembering last year's Silver Lion-winning spot he says, "I just said, 'What the hell, let me just cut the first 30 seconds of my film as a whacked-out version of the original Nike spot, and get it out there for peole to chew on'."
While the spec was not approved by Nike - "I'm definitely not above appropriating" - he was the first to bring it to their attention, and gives due props to the original creatives Mike Byrne and Monica Taylor at the end of this clip.
The spot was in to way sanctioned by Wieden + Kennedy. They had no clue till last week when I sent it to them and said, "Hey, run this on the Superbowl!!!""SPEC: Wild Horses Redux" by Rae Ann Fera, Boards Online, 14 August 2003
Anyway, these were the ones I liked; check out PES's Website for more. As always, YMMV.