The Great Wave Off Kanagawa has always been among my favorite works by Hokusai. I first encountered it decades ago in a hybrid of analog and digital, moving from the original to a wireframe, which led me to the original piece. When I first learned of the recent Asian tsunami I was again reminded how earthquake-induced waves of water have been a problem throughout recorded history.
Many people don't realize that Hokusai was inspired by a huge tsunami — about fifteen feet (five meters) high — that ocurred on 26 January 1700 after a magnitude-nine earthquake in the Pacific Northwest (cascadia subduction zone). Hokusai wouldn't be born for another sixty years, but the event made quite an impression, no pun intended, on Japan.
The painter and woodcut maker Katsushika Hokusai (1760-1849) was born in Edo (Tokyo), Japan. He is famed for the literally tens of thousands, possibly as many as thirty thousand, wood-block prints, silkscreens, and paintings he made. His inspiration was typically drawn from the lives of ordinary people, from traditional mythology, and from the world he saw around him.
Hokusai is most famous for his series of prints, Thirty-Six Views of Mount Fuji (circa 1826-33) created when he was between sixty-six and seventy-seven years old.
From the age of six I had a penchant for copying the form of things, and from about fifty, my pictures were frequently published; but until the age of seventy, nothing that I drew was worth of notice. At seventy-three years, I was somewhat able to fathom the growth of plants and trees, and the structure of birds, animals, insects and fish. Thus when I reach eighty years, I hope to have made increasing progress, and at ninety to see further into the underlying principles of things, so that at one hundred years I will have achieved a divine state in my art, and at one hundred and ten, every dot and every line will be as though alive. Those of you who live long enough, bear witness that these words of mine prove not false.Hokusai (as told by Gakyo Rojin Manji)